Discovering Randolph Rogers

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Randolph Rogers (American)

(July 6, 1825 in Waterloo, New York – January 15, 1892 in Rome, Italy) was an American Neoclassical sculptor. An expatriate who lived most of his life in Italy, his works ranged from popular subjects to major commissions, including the Columbus Doors at the U.S.Capitol and American Civil War monuments.


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Nydia, The Blind Flower Girl of Pompeii

Date: modeled 1855–56, carved 1858

ABOUT THIS ARTWORK

This statue is based on a character from Edward Bulwer-Lytton’s popular 1834 novel The Last Days of Pompeii. In the episode depicted here, Nydia and her two companions attempt to flee the city after the eruption of Mount Vesuvius. The three become separated, however, and Randolph Rogers captured Nydia as she gropes her way through the burning city. The broken Corinthian column at her feet symbolizes fallen Pompeii, and Nydia’s clinging garments, entangled in her staff, indicate her chaotic surroundings. Because of its narrative quality, sentimental presentation, and classical features and proportions, this sculpture was extremely popular with the American public upon its first being exhibited.

Biography

Randolph Rogers

Randolph Rogers

Born in Waterloo, New York, he spent most of his childhood in Ann Arbor, Michigan. He developed an interest in wood cuts and wood engraving, and moved to New York City about 1847, but was unsuccessful in findingemployment as an engraver. While working as a clerk in a dry-goods store, his employers discovered his native talent as a sculptor and provided funds for him to travel to Italy. He began study in Florence in 1848, where he studied briefly under Lorenzo Bartolini. He then opened a studio in Rome in 1851. He resided in that city until his death in 1892.

He began his career carving statues of children and portrait busts of tourists.He was not happy working with marble consequently all his marble statues were copied in his studio by Italian artisans under his supervision, from an original produced by him in another material. This also enabled him to profit from his popular works. His first large-scale work was Ruth Gleaning (1853), based on a figure in the Old Testament. It proved extremely popular, and up to 20 marble replicas were produced by his studio. His next large-scale work was Nydia, the Blind Flower Girl of Pompeii (1853–54), based on a character in Edward Bulwer-Lytton's best-selling novel, The Last Days of Pompeii. It proved even more popular, and his studio produced at least 77 marble replicas.

Close up of the Bronze doors showing Christopher Columbus

Close up of the Bronze doors showing Christopher Columbus

Bronze Doors of the US Capital

Bronze Doors of the US Capital

In 1855 he received his first major commission in the United States: great bronze doors for the East Front of the United States Capitol. He chose to depict scenes from the life of Christopher Columbus. The Columbus Doors were modeled in Rome, cast in Munich, and installed in Washington, DC in 1871.

In 1856, he completed the statue of President John Adams originally for the cemetery of Mount Auburn in Boston, Massachusetts.

Gettysburg National Cemetery Monument

Gettysburg National Cemetery Monument

Close up of Gettsyburg Monument

Close up of Gettsyburg Monument

He designed major American Civil War monuments: the Soldiers' National Monument (1865–69) at Gettysburg National Cemetery; the Rhode Island Soldiers' and Sailors' Monument (1866–71) in Providence; the Michigan Soldiers' and Sailors' Monument (1867–72) in Detroit; and the Soldiers' Monument (1871–74) in Worcester, Massachusetts. Shortly after Abraham Lincoln was assassinated, Rogers produced a sculpture of Lincoln for East Fairmount Park, Philadelphia, Pennsylvania and is shown below in a video.

He modeled The Genius of Connecticut (1877–78), a bronze goddess that adorned the dome of the Connecticut State Capitol in Hartford. It was damaged in a 1938 hurricane, removed, and melted down for scrap metal during World War II. A plaster cast of the statue is now exhibited within the building.

In 1873 he became the first American to be elected to Italy's Accademia di San Luca, and he was knighted in 1884 by King Umberto I.

Rogers suffered a stroke in 1882, and was never able to work again. He left his papers and plaster casts of his sculptures to the University of Michigan.